He played a kit the size of a spaceship, and he played it like he came from another planet, incorporating not only a large amount of acoustic drums, but electronics, orchestral and tuned percussion, all of which served a purpose rather than being there as part of the show. Consider the reasoning and it’s clear to see why you have voted the Rush drummer as the definitive GOAT.Įverything about Peart’s drumming broke new ground, from the carefully orchestrated arrangements of Rush’s progressive peak to the mindblowing technical ability displayed throughout his career. There’s never been a band quite like Rush, and there’s certainly never been a drummer quite like Neil Peart. Ginger spoke his mind right until the end, and while he claimed to hate interviews, 2012’s Beware of Mr Baker gives fascinating insight into one of the instrument’s pioneers, whose legacy will keep his name alive for decades to come. Post-Cream, Baker continued working with Clapton briefly in Blind Faith, collaborated heavily with Afro Beat artist Fela Kuti, as well as notching up - sorry Ginger - a large number of credits in the rock world with PiL, Hawkwind, Masters of Reality and more. His double bass drums, his groundbreaking drum solo with Toad, yet he viewed ‘Rock’ and its associated drummers with contempt to the end, identifying closely instead with his early heroes such as, Max Roach, Art Blakey and Elvin Jones. Ginger helped invent the genre, popularising - if not giving it - many ‘firsts’. He was a pioneer in the truest sense of the word, incorporating his jazz backround into the birth of British rock, but woe betide anyone who dared ‘tarnish’ him with the Rock brush. As we approach the top of your rankings, there’s a theme emerging: many great drummers also had the personalities to match, and Ginger Baker was no exception.
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